copper weaving

22pd Océano Cósmico, Eduardo Portillo & Mariá Eugenia Dávila
silk, cotton, alpaca, indigo and copper leaf, 59” x 31”, 2022, $Call

Eduardo Portillo & Mariá Eugenia Dávila

12pd Transición, Eduardo Portillo & Mariá Eugenia Dávila, metallic yarns and silver leaf, moriche palm fiber, silk, alpaca, 56" x 24.25", 2018, Price Available upon request

Eduardo Portillo & Maria Eugenia Davila Homo Textil and Venus

6pd Venus, bronze, 39” x 6.75” x 5”, 2014
Price Available upon request

Full image view on left, Detail image view on right

Eduardo Portillo & Maria Eugenia Davila Patina II

4pd Patina II, Eduardo Portillo & Mariá Eugenia Dávila, silk metallic yarn, cotton and cooper, 28.25” x 47.25” x 4”, 2014, Price Available upon request

Selected collections and exhibition venues:
Museum of Arts and Design, New York, New York (New Territories: Laboratories for Design, Craft and Art in Latin America, traveling to Albuquerque Museum, New Mexico; Amparo Museum, Puebla, Mexico); Textile Museum, Washington, D.C. (BLUE); Foundation TAC, Caracas, Venezuela (Azul Indigo and Metales, solo exhibition); Longhouse Reserve, East Hampton, New York (Accumulation NOW); Whitworth Art Gallery, Manchester, UK (Indigo, a Blue to Dye For); Madrid, Spain (Iberoamerican Design Biennial); Bolivar Hall, London, UK (From Silk to Venezuelan Fibers, solo exhibition); British Council, Caracas, Venezuela (Import-Export). Participants: Textile Society of America, Los Angeles, California (Symposium topic: Natural Dyes and Aesthetic Search).

Eduardo Portillo & Maria Eugenia Davila Encontrada Bronze Textile

1pd Encontrada I ( Found I ), Eduardo Portillo & Mariá Eugenia Dávila, bronze casting, 13.5” x 11.375” x 2”, 2014

Our work is driven by our relationship with the surroundings and how it can be comunicated within a contemporary textile language. We are interested in representing experiences in materials and processes that bear the imprint of people and places, and reveal the relationships between people and their environments. When we decided to work with silk, we were compelled to travel to China and India to study and research their age-old practices of sericulture. Our experiences were crucial to our training. We have always been passionate about knowledge, experimentation and especially its reinterpretation within our own place and culture, in Mérida, in the Venezuelan Andes, we also work with local materials, such as cotton and alpaca from Peru and Bolivia, fiber from the moriche and chiqui-chique palm trees of the Orinoco River Delta and Amazon region, as well as dyes from the indigo plant. For us color is crucial. Our interest in color starts at its very foundations: how it is obtained, where it is found in nature, in objects, in people. Through color we discover the way to follow each project.