10-12kn Blue, Yellow, Red Border, nylon tape, acid dyes, 4” x 13” x 12” (each), 2004, $2,000 each
25kn The Seashore, Keiji Nio, polyester, aramid fiber, 48” x 48,” 2019, $3,600
21kn Water Is Eternity, Keiji Nio, woven and braided nylon, 4.5" x 4.5" x 3.74", 2009. 9th triennale internationale des mini-textiles - Angers 2009, $1,800
20kn Interlacing Blue, Keiji Nio , nylon , 7.5” x 13” x 11”, 2013, $1,700
14kn Interlacing Red, Keiji Nio, Large nylon fiber wall sculpture, 52" x 52" x 15.5”, 2004-2016, $12,000
6kn Interlacing-R, Keiji Nio, acrylic and wood, 39.5" x 43.25" x 12" 2002, $6,000
14kn Detail Large Interlacing-R
Selected collections and exhibition venues:
Musée de Angers, France and Textilmuseum, St. Gallen, Switzerland (5th - 9th International Triennials of Miniature Textiles); Savaria Museum, Szombathely, Hungary (8th International Biennial of Miniature Textiles); American Craft Museum, New York; Textile Museum, Washington, D.C.. (Interlacing: the Elemental Fabric); Musée Cantonal Des Beaux-Arts, Lausanne , Switzerland (12th International Tapestry Biennial); Alden Biesen, Belgium , University of Art and Design Gallery , Helsinki, Finland (8th International Biennial of Miniature Textiles); Chugoku Modern Art Museum, Japan (Exhibition of Modern Best Art); Kyoto City Museum, Japan (International Textile Competition); Museum of Civilization, Québec, Canada (World of Miniatures); Fukuoka Asian Art Museum,Japan (Textile in Future Expression); Aiden Biesen, Belgium (Textile Miniature Works Contemporary Art Japan); Kakimori Bunko Museum, Japan (The Kakimori Bunko 25th Anniversary “BASHO"). Recipient: Silver Prize, Kyoto Contemporary Craft Competition; Excellence Prize, Kyoto Art and Craft Competition.
23kn Interlacing-Engine, Toaster, Headlight, polyester, 2015
6” x 7.5” x 3” (each)
I work in the traditional technique of kumihimo. I used this technique to create a large white work for the 1985 International Biennial of Tapestry in Lausanne and, more recently, to create a small yellow work for the 2006 8th International Miniature Textile Triennial in Angers, France.
In my works, I combine industrial and natural materials. In Large Interlacing-R, have created three circles using yotugumi and yatsugumi in kumihimo technique to illustrate the themes “order," “chaos" and “uncertainty." Currently, I am at work on a large blue circle of tapes dyed in splashed pattern to express the theme “instability."