bg.logo
Kay Sekimachi
Born: 1926, San Francisco, California


  • Pic 1
  • Pic 2
  • Pic 3
  • Bio
  • Statement
  • Catalogs
  • Books
  • Contact to Purchase

kay sekimachi

93k FB908
natural unspun flax, gel medium, matte medium
6.5" x 5.5" x 5.5"
2008
$2,000


kay sekimachi
90k Basket With Burnt Ends
paper twine (danish cord), ply split technique, 10" x 17" x 17", 2003, $2,000

photo : Charles Frizzell
kay sekimachi

91k FB 1008, natural and unspun flax, acrylic paint, matte medium, 4.5" x 8" x 8", 2008
$2,000

Selected permanent collections and exhibition venues:
Museum of Modern Art, New York, New York (Wall Hangings); American Craft Museum, New York, New York (Marriage in Form – two-person, traveling exhibition); Renwick Gallery, National Museum of American Art, Smithsonian Institution, Washington, D.C; Cleveland Museum of Art, Ohio; Erie Art Museum, Pennsylvania (The Tactile Vessel – traveling exhibition); Minneapolis Institute of Arts, Minnesota (Intimate and Intense: Small Fiber Structures); National Museums of Modern Art, Kyoto and Japan; Museum of Arts and Design, New York, New York; Musée des Arts Décoratifs, Paris, France; Central Museum of Textiles, Lodz, Poland; Milwaukee Art Museum, Wisconsin (Fiber R/Evolution).

Recipient: Gold Medal, American Craft Council; Fellow, American Craft Council; Honor Award, Women’s Caucus for Art, Fellowship, National Endowment for the Arts.
kay sekimachi paper tower kay sekimachi mon filament

Statement:
I remember my teacher, Trude Guermon-prez saying, “try to make something with the simplest of means.” I find trying to create something with limited means very challenging.

I wove my first series of boxes in 1974 – the Nesting Boxes. They were complex, involving 10 harnesses and doubleweave pick-up. They were designed to come off the loom, ironed and folded to make a square three-dimensional box with a lid with very little sewing.

The Takarabako series came in the early nineties. The Takarabakos are woven on eight harnesses in a tubular weave. They are ironed and folded into the box form. The twill weave at the top almost goes into the soft fold most naturally.

                                                                                                                  Kay Sekimachi
kay sekimachi
92k FB 1108, grey unspun flax, acrylic paint, gel medium, matte medium, 4.5" x 8" x 8", 2008
$2,000
catalog 3 cat 17 cover Catalog 24 Japan Under the Influence
Catalog #3
BOB STOCKSDALE
KAY SEKIMACHI

click for more information
Catalog #17
10TH WAVE PART 1
:
New Baskets and
Freestanding Sculpture

click for more
information
Catalog #24
Bob Stocksdale
Kay Sekimachi
:
books, boxes
and bowls

click for more
information
Catalog #30
Japan Under the Influence:
Innovative basket-makers deconstruct Japanese tradition
click for more information
cat 33 cover    
Catalog #33
BEYOND WEAVING: International ArtTextiles
click for more information
   
Marriage in Form: Bob Stocksdale and Kay Sekimachi The books of  Kay Sekimachi The Art of Basketry
Book #02
MARRIAGE IN FORM:
Bob Stocksdale
Kay Sekimachi

click for more information
Book #05
INTIMATE VIEWS:
the books of Kay Sekimachi
click for more information
Book #07
The Art of Basketry

click for more information
BAUHAUS TEXTILES: Women Artists and the Weaving Workshop The Grotta House by Richard Meier The Grotta House by Richard Meier
Book #11
BAUHAUS TEXTILES:
Women Artists and
the Weaving Workshop

click for more information
Book #19
PORTFOLIO COLLECTION
Kay Sekimachi

click for more information
Book #28
The Grotta House
by Richard Meier

click for more information


To purchase the artwork of Kay Sekimachi
or to obtain information about other available works, contact:

Tom Grotta
browngrotta arts

e-mail button

or telephone
tel: 203-834-0623 or fax: 203-762-5981
www.browngrotta.com