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                  Adela Akers
                                         Born: 1933, Santiago de Compostela, Spain
                                        resides in the US

 

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Adela Akers






38aa TRACED MEMORIES
linen, horsehair, metal foil & paint
48" x 58", 2007
$8,800












Adela Akers

26aa CASTING SHADOWS
linen, horsehair and metal, 30” x 95”, 2005
$9,500


Adela Akers 11aa MIDNIGHT
sisal, linen & wool
74” x 84” x 6”, 1988
$16,000

Selected permanent collections and exhibition venues:
Metropolitan Museum of Art, New York, New York; Renwick Gallery, National Museum of American Art, Washington, D.C.; Cooper Hewitt Museum, New York, New York (Jacquard Textiles – traveling exhibition); Everson Museum of Art, Syracuse, New York; Modern Masters Tapestry (solo exhibition); Johnson Wax Collection, Museum of Arts and Design, New York, New York; American Craft Museum, New York, New York (Craft Today: Poetry of the Physical – traveling exhibition); Detroit Institute of Art, Michigan (Pacesetters & Prototypes: Weavers); Pennsylvania Academy of Fine Arts, Philadelphia (solo exhibition); Cleveland Museum of Art, Ohio (Fiberworks).

Recipient:
Award, Flintridge Foundation; Fellowships, National Endowment for the Arts; Grant, Pennsylvania Council on the Arts.
adela akers detail
38aa Detail TRACED MEMORIES

Statement:
Before attending the School of the Art Institute of Chicago and Cranbrook Academy of Art, I completed studies to be pharmacist. My background in science has strongly influenced my artwork. The choice of materials and process emerges from that experience. There is a mathematical discipline in the way the work is constructed. This mathematical sequence is in strong contrast to the to the organic process (handweaving) and materials (linen and horsehair) that bring the work to fruition.

Even when I don’t know the outcome, it is the transformation of the materials by the repetitive hand manipulation that leads me to the final expression. It is always a discovery when reaching the end.

All the steps are important and contribute to the final work. Narrow strips are woven sequentially; horsehair is inserted at intervals. When the metal foil is used, it is cut in narrow bands to fit at intervals.

It is my intention to externalize both process and materials and their interaction in order to create a richer surface, which is the focus of the work. In the search for answers or solutions, the questions get better and the possibility of a miracle is ever present. The completion of each piece raises questions that form the fabric of work to come.


                                                           Adela Akers
adela akers
28aa MORNING GATE
linen, horsehair & metal foil
25” x 23”, 2005
$3,200
Catalog #26 cat 33 cover
Catalog #26
Adela Akers
Sylvia Sevent

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Catalog #33
BEYOND WEAVING:
International ArtTextile

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To purchase the artwork of Adela Akers
or to obtain information about other available works, contact:

Tom Grotta
browngrotta arts

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or telephone
tel: 203-834-0623 or fax: 203-762-5981
www.browngrotta.com







Copyright © 2006 browngrotta arts; photo © Tom Grotta